Friday, August 30, 2024

Marlpit Hall, Middletown: A Site of Memory

Figure 1: Marlpit Hall, photo by Jolyon Pruszinski,
taken with permission of the Monmouth County Historical Association.

Marlpit Hall[1] is a well-preserved Middletown, New Jersey colonial-era residence which was owned by Edward Taylor and his descendants. It is now operated as a Museum by the Monmouth County Historical Association. Taylor and his family were Anglican and Episcopal enslavers who were part of the leadership of the Christ Churches of Middletown and Shrewsbury for decades. Interpretive materials at the exhibit state that 

 

“from Edward Taylor’s purchase [of the property] in 1771 until at least 1832, the Taylor family of Marlpit Hall… had an unbroken chain of slave ownership. The men, women, and children who worked on the family’s farm fields, grist mill, and inside the house itself helped to maintain the Taylor family’s lifestyle.” 

 

The exhibit at Marlpit Hall, which is entitled “Beneath the Floorboards: Whispers of the Enslaved at Marlpit Hall,” rightly focuses on the experiences of the people enslaved by the Taylors. Among these were at least ten for whom Marlpit itself was their primary residence, including York, Tom, Mary Ann, Elizabeth Van Cleaf, William Van Cleaf, Hannah Van Cleaf, Matilda Leonard, Clarisse Leonard, Ephraim Leonard, and George. 


Figure 2: Quarters of the enslaved at Marlpit, photo by Jolyon Pruszinski,
taken with permission of the Monmouth County Historical Association.

Figure 3: The kitchen at Marlpit, photo by Jolyon Pruszinski,
taken with permission of the Monmouth County Historical Association.

 

            One of the Anglican priests mentioned in the exhibits here at Marlpit Hall is Thomas Thompson, who served in New Jersey for about five years in a number of congregations in Monmouth County. While he did baptize some enslaved Black people (including at least one person he himself enslaved), he also was a staunch defender of slavery, writing a well-known treatise in defense of the trade. He wrote this treatise on the heels of his service as the chaplain to the slave trading company based in Cape Coast Castle off the coast of West Africa, a post he took up immediately following his service in New Jersey. 

            Another Anglican mentioned in the exhibit is the influential Lewis Morris, who contributed to the founding of multiple churches in New Jersey and would later become governor. He owned the iron works at Tinton Falls, where he enslaved over sixty people. As the exhibit states, “The enslaved labor working at Tinton Manor provided the template for Monmouth County’s budding slave society.” 

The exhibit also mentions Morris’ cousin and business partner (also named Lewis Morris) who had been killed in the 1690’s by two enslaved men (Jeremy and Agebee). They were avenging Morris’ un-punished abuse and murder of a Black woman he enslaved.[2] Christ Church, Middletown is built over the site where Jeremy and Agebee were executed.

It is perhaps unsurprising, in light of their treatment by Episcopal enslavers, that enslaved African-Americans often did not ultimately affiliate with the Episcopal church. Rape of enslaved women by White male heads of household (and their sons) was common, and it is not unlikely that Matilda Leonard’s designation as “mulatto” in exhibit documents evidences this reality. She went on to marry Rev. James Simmons of St. James African Methodist Episcopal (AME) Church in Matawan. (Note: the African Methodist Episcopal Church is not part of The Episcopal Church, and was formed in response to mistreatment of African-Americans by the Episcopal Church).


Figure 4: Detail of exhibit showing the house where St. James AME Church, Matawan first met,
with (probably) Matilda Leonard pictured, photo by Jolyon Pruszinski,
taken with permission of the Monmouth County Historical Association.

The Marpit Hall exhibit provides excellent information about the history of slavery in New Jersey, material evidence of the lived experience of slavery for those who were enslaved at Marlpit, and documentation of the lives of their Anglican and Episcopal enslavers.

As you take the tour, and as you look around the beautiful home, remember the words of U.S. Senator Theodore Frelinghuysen who, in 1824 said “survey... your comfortable habitations, your children rising around you to bless you. Who, under Providence, caused those hills to rejoice and those valleys to smile? ... Remember the toils and tears of black men”[3] and women. 



Jolyon G. R. Pruszinski, Ph.D.
Reparations Commission Research Historian
Episcopal Diocese of New Jersey


[1] The address is: 137 Kings Hwy.; Middletown, NJ 07748; Museum is open May-September, Fri-Sun 1-4pm. Other times for groups by appointment. See also: https://visitnj.org/marlpit-hallhttps://www.journeythroughjersey.com/sites/marlpit-hall/https://www.app.com/story/news/history/2021/10/20/middletown-marlpit-hall-slavery-exhibit- shackles/8507793002/.  

[2] See Weeks, Not for Filthy Lucre’s Sake, 113.

[3] As quoted in Gigantino, The Ragged Road to Abolition, 189.

Thursday, August 22, 2024

The Dimissory Letter of James C. Ward: First ordained Black Deacon in the Diocese of New Jersey

Not much is known[1] about the canonical residency of the first ordained Black deacon in the Diocese of New Jersey, but diocesan records indicate that the Rev. James C. Ward was indeed canonically resident approximately from 1829 to 1831. He is mentioned as being received into the diocese in the convention journal of 1830, though no assignment or place of service is noted. There are no known records of him officiating or teaching during this time, though he had previously been a school teacher in Pennsylvania, and would go on to teach again in Maryland after his tenure in New Jersey. The diocesan convention journal of 1832 indicates that he had moved to Maryland with the approval of Bishop Croes. 

 

Figure 1: The Morgan Library and Museum, New York City (Elisa.rollePierpont Morgan LibraryCC BY-SA 3.0)


Though the Morgan Library and Museum in New York City holds the manuscript of the letter dimissory furnished by Croes in 1831 for Ward’s transfer, the letter sheds little light on Ward’s activities in the diocese. It is essentially a form letter, offering little in the way of clues:

 

The Rev.’ James C. Ward (a coloured man,) a Deacon of this Diocese, having made application to me for a letter dimissory to the Rt. Rev.’ the Bishop of the Diocese of Maryland, I hereby cheerfully grant his request, and do certify, that he has not, so far as I know, been liable to evil report for error in religion or viciousness of life, during the the [sic] three years last past.[2]

 

It seems most likely that Rev. Ward moved to New Jersey in the hope of teaching for the diocese or a church of the diocese in a segregated school, even though none were then formally or consistently in operation. Apparently no adequate opportunities became available, and he moved to the Diocese of Maryland, where such a teaching position had become available. It was not for decades yet that segregated Episcopal-affiliated schools in New Jersey were taught by Black instructors, and it seems that at the time the Rev. Ward first sought to do so, no White parishes were willing to sponsor him.

 

Jolyon G. R. Pruszinski, Ph.D.

Reparations Commission Research Historian

Episcopal Diocese of New Jersey



[2] John Croes to Revd. James C. Ward, July 16, 1831; Record ID 108178, Accession number MA 365.121, courtesy of The Morgan Library & Museum.